Audiences and Institutions key concepts:
- The film's target audience, both in the UK and globally (core and secondary markets, audience demographics, typical audience profile)
- Patterns and trends of audience behaviour (audience tastes and habits in media consumption, pleasures, sharing, uses and gratifications)
- How the film has been received, both globally and in the UK (box office and other data, reviews and opinions, debates/discussions around the film)
- The issues raised in the targeting of UK national and local audiences by international or global institutions (specific needs of the UK market, cultural awareness, impact of global distribution)
- The issues raised by the institutional ownership of each film (production company, production and marketing budgets, UK distributor, licensing deals)
- The importance of cross media convergence and synergy (production technology, marketing campaign, the website, social networking, viral, cross platform distribution)
- The technologies that have been introduced in recent years at the levels of production, distribution, marketing and exhibition/exchange (3D, CGI/animation, blu-ray, home cinema, multi-channel TV, PVR, digital cinema projection, fast broadband)
- The significance of proliferation in hardware and content for institutions and audiences (competition, changing digital landscapes, technological obsolescence, investment costs, piracy)
- The importance of technological convergence for institutions and audiences (portability, convenience, levels of control and personalisation, non-linear experiences, interactivity/immersion, changing expectations, impact on traditional media insititutions, rise in short form content, piracy)
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